Tailors your CV to a specific job advert, highlighting the experience that matches.
Open the live appSELECTED WORK
Things we have
built and shipped.
Live applications you can open and use, and interactive concepts that show how we approach the workflows most businesses run on.
01 / IN THE WORLD
LIVE APPLICATIONSBuilt, shipped,
in use.
Each one is a real application, running now. They open in their own tab.
A nightly prompt to log how the day went and spot patterns over time.
Open the live appTops, shirts and blouses handpicked in Thailand, in one free size, delivered in two to three days.
Open the live appAND, TO SHOW WHAT IS POSSIBLE
02 / POSSIBILITIES, MADE TANGIBLE
SELECTED CONCEPTSSee what better software
can look like.
Working concepts that demonstrate how we approach business workflows and customer experiences.
Operations, connected.
One place for your inventory, orders, and what needs attention. Fewer disconnected tools. A clearer picture.
Every relationship. In view.
From the first hello to the next step. A connected pipeline that keeps people and follow-ups in focus.
Built to show what’s possible. These are interactive concepts with fictional data, not client projects or production products.
03 / HOW THINGS SHOULD MOVE
22 INTERACTION STUDIESMotion, studied
one piece at a time.
Small exercises in how an interface should behave. Hover or focus any of them to play it.
Items arrive in sequence rather than together, so the eye is led down the list instead of ambushed by it.
A control that leans toward the cursor, making the target feel larger than its box.
A seamless loop with no visible seam, for announcements that should not demand a click.
A stroke that draws to its value, giving a number a shape you can read at a glance.
A placeholder that suggests the shape of what is coming, so a wait feels like progress.
Confirmation that enters from the edge and leaves on its own, never interrupting the task.
The marker travels between tabs, so the change of place is shown rather than announced.
Digits that roll to their value, which reads as a measurement being taken.
Two faces on one surface, for a detail that belongs with its summary rather than beside it.
A mask that uncovers rather than fades, which keeps the edge crisp while it moves.
Bars that rise from their baseline, so a chart is read as built rather than pasted.
A switch whose travel matches its meaning, with the colour change following the knob.
Contact acknowledged at the point of contact, which makes a control feel physical.
Three lines becoming a cross, so the button explains the state it will move to.
A line that fills between nodes, turning a list of steps into a journey.
A wait that suggests machinery in motion instead of a spinning circle.
Lines that rise out of their own clipping box, which gives a headline weight as it lands.
Attention follows the pointer across a grid, so density stops feeling flat.
Height that eases open, so the page below moves with the panel rather than jumping.
Planes that move at different rates, which implies depth without a 3D engine.
A quiet measure of how far there is left to go, drawn along the top edge.
A caret and a line of text finding its length, for an empty state that invites a first word.
Each study is built here rather than borrowed, and exists to work out a single idea. None of them is client work.
SEEN SOMETHING THAT FITS?
Let’s talk about
what you need.
Bring the problem you want to solve. We’ll explore what the right solution could look like.
20 MINUTES. A GOOD PLACE TO START.
- Discuss your goals and current challenges.
- Explore a possible approach.
- Decide whether a next step makes sense.
- No presentation required.